28TH JULY 2010 @ 14H30
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 401. SIEDLE, BARBARA – SOUTH AFRICAN (1946-), Watercolour – a Pair – Signed, Hadeda Ibis and Crowned Cranes, 53x36cm each. R800/1200

401

 401. SIEDLE, BARBARA – SOUTH AFRICAN (1946-), Watercolour – a Pair – Signed, Hadeda Ibis and Crowned Cranes, 53x36cm each. R800/1200

401a

 402. SIEDLE, BARBARA – SOUTH AFRICAN (1946-), Watercolour – a Pair – Signed, Whiteface Ducks and Blacksmith Plovers, 53x36cm each. R800/1200

402
402. SIEDLE, BARBARA – SOUTH AFRICAN (1946-), Watercolour – a Pair – Signed, Whiteface Ducks and Blacksmith Plovers, 53x36cm each. R800/1200

402a

 403. HOEFSLOOT, TED – SOUTH AFRICAN (1930-), Oil on Canvas laid down on Board – Signed, Titled on Reverse, Mountain Scene with Farm, 44x59cm. R3000/5000

403

 404. TOSE, MARTIN QGIBINSIZI – SOUTH AFRICAN (1958 – 2004), Oil on Paper – Signed and Dated ’95, Mother and Child, 42x58cm. R3000/4000

404

 405. SIBEKO, PETER – SOUTH AFRICAN (1940-), Oil and Sand on Paper – Signed and Dated ’99, Figures and Shacks, 25x38cm. R1500/2000

405
406. FERN. EMILY – SOUTH AFRICAN (1881 – 1953), Oil on Board – Signed and Dated 1951, Rocky Coastal Landscape, 40x50cm. R4000/6000

406

 407. SPEARS, FRANK SYDNEY – SOUTH AFRICAN (1906 – 1991), Oil on Board – Signed, Farmhouses, 35x45cm. R5000/7000

407

 408. GARIZIO, GIAN-PIERO – SOUTH AFRICAN (1931-), Oil on Canvas – Signed, Kalk Bay, 48x59cm. R4000/6000

408

 409. GRATTAN, REGINALD A. – SOUTH AFRICAN (20TH CENTURY), Oil on Canvas – Signed, Cape Farmhouse in Landscape, 32x47cm. R1200/1500

409
410. SEKHAOLELA, SOLOMON – SOUTH AFRICAN (1937-), Oil on Paper – Signed, Figures in Shanty Town, 56x39cm. R1000/1500

410

 411. SEKHAOLELA, SOLOMON – SOUTH AFRICAN (1937-), Oil on Paper – Signed and Dated ’07, Figures in Shanty Town, 56x39cm. R1000/1500

411

 412. HOEFSLOOT, TED – SOUTH AFRICAN (1930-), Oil on Canvas laid down on Board – Signed, Titled on Reverse, Scene near Zaaimansdal, 49x74cm. R4000/6000

412

 413. HADEN, SIR FRANCIS SEYMOUR – BRITISH (1818 – 1910), Etching – a Pair – Signed, in Pencil, each dated ’41 in the plate, Hands of a Pianist and Hands of a Cellist, 17x21cm each. R1000/1500

413
413. HADEN, SIR FRANCIS SEYMOUR – BRITISH (1818 – 1910), Etching – a Pair – Signed, in Pencil, each dated ’41 in the plate, Hands of a Pianist and Hands of a Cellist, 17x21cm each. R1000/1500

413a

 414. BURWITZ, NILS – SOUTH AFRICAN (1940-), Screenprint – Signed in Pencil by the Artist and Poet Stephen Gray, Numbered 116/240, The Beast’s History, 75x54cm. R700/900

414

 415. MARAIS, WESSEL – SOUTH AFRICAN (1935 – 2009), Oil on Board – Signed, Still Life of Cosmos, 75x50cm. R6000/8000

415

 416. KOKOSHKA, OSKAR after – AUSTRIAN (1886 – 1980), Oil on Board – Signed with Initials, Portrait of a Gentleman, 22x17cm. R2000/3000

416
417. SHAPSHAK, RENE – SOUTH AFRICAN (1899 – 1985), Monotype – Signed and Dated 1941, Tropical Lagoon, 16x22cm. R600/800

417

 418. KNOWLAND, DENNIS GEORGE – BRITISH (20TH CENTURY), Oil on Canvas – Signed and Dated ’73, Farmhouses in Valley, 74x55cm. R1500/2000

418

 419. GARIZIO, GIAN-PIERO – SOUTH AFRICAN (1931-), Oil on Board – Signed, Children and Cape Dutch Homestead, 75x60cm. R5000/7000

419

 420. DANIELL, SAMUEL – BRITISH (1775 – 1811), Coloured Engraving – Published April 15th 1804, Kaffers on a March, 36x47cm. R1000/2000

420
421. FERGUSON, JOHN KENNETH – SOUTH AFRICAN (1885 – 1967), Oil on Board – Signed, River, Drakensberg, 40x50cm. R1500/2000

421

 422. GOODMAN, ROBERT GWELO – SOUTH AFRICAN (1871 – 1939), Oil on Canvas – Signed with Initials, Table Mountain, 19x23cm. R35000/45000

422

 423. ROSE-INNES, ALEXANDER – SOUTH AFRICAN (1915 – 1996), Oil on Canvas Board – Signed, Still Life, 32x26cm. R28000/32000

423

 424. GARIZIO, GIAN-PIERO – SOUTH AFRICAN (1931-), Oil on Board – Signed, Still Life of Flowers, 30x40cm. R4000/6000

424
425. GARIZIO, GIAN-PIERO – SOUTH AFRICAN (1931-), Oil on Canvas – Signed, Simon’s Town, 40x50cm. R5000/7000

425

 426. PORTCHIE, JOHANNES – SOUTH AFRICAN (20/21ST CENTURY), Oil on Canvas – Signed, Farmhouse in Landscape, 20x20cm. R4000/6000

426

 427. MORETTI FOGGIA, MARIO – ITALIAN (1882 – 1954), Oil on Board – Signed, Paper Label on Reverse, In Commino, 40x50cm. Provenance: - Galleria Leonardo da Vinci, Corso Umberto R28000/32000

427

 428. MORETTI FOGGIA, MARIO – ITALIAN (1882 – 1954), Oil on Board – Signed, Paper Label on Reverse, Sotto la Neve, 40x50cm. Provenance: - Galleria Leonardo da Vinci, Corso Umberto R28000/32000

428
429. CATHERINE, NORMAN CLIVE – SOUTH AFRICAN (1949-), Airbrush – Signed, Dated 1978 and Titled, Forgotten Stairway, 55x75cm. R6000/8000

429

 430. WELZ, JEAN MAX – SOUTH AFRICAN (1900 – 1975), Charcoal – Unsigned, Portrait of a Lady, 58x43cm. Provenance:- Strauss & Co. R8000/12000

430

 431. SPILHAUS, NITA – SOUTH AFRICAN (1878 – 1967), Oil on Board – Unsigned – Certificate on reverse, Coastal Landscape, 25x27cm. R25000/35000

431

 432. KANDINSKY, WASSILY – RUSSIAN (1866 – 1944), Lithograph – Signed and Number IX/XXI, Untitled, 36x24cm. R14000/18000

432
433. DE JONGH, GABRIEL – SOUTH AFRICAN (1913 – 2004), Oil on Canvas – Signed, Cottage beside River in Extensive Landscape, 60x90cm. R14000/18000

433

 434. PIPER, JOHN – BRITISH (1903 – 1992), Screenprint – Signed and Numbered 36/70, La Chapelle St. Robert, Dordogne – Levinson 189, 70x102cm. R7000/10000

434

 435. KASIM, PAUL – (20TH CENTURY), Acrylic – Signed, African Market, 120x100cm. R4000/6000

435

 436. BRITZ, PHILLIP – SOUTH AFRICAN (20/21ST CENTURY), Oil on Board – Signed, Cape Fishing Cottages, 24x34cm. R1200/1500

436
437. BRITZ, PHILLIP – SOUTH AFRICAN (20/21ST CENTURY), Oil on Board – Signed, Cape Fishing Cottages, 24x34cm. R1200/1500

437

 438. RENNIE, RICHARD – SOUTH AFRICAN (1932-), Watercolour – Signed, Extensive Landscape, 44x68cm. R1500/2000

438

 439. AYNSCOMB-HARRIS, MARTIN JOHN – BRITISH (1937-), Gouache – Signed, Church in Winter Landscape, 54x74cm. R500/700

439

 440. MASEKO, JOSEPH RAMAPULANE – SOUTH AFRICAN (1940 – 2008), Pastel – Signed, African Celebration, 67x47cm. R2000/3000

440
441. HOEFSLOOT, TED – SOUTH AFRICAN (1930-), Oil on Canvas laid down on Board – Signed, Titled on Reverse, Groot Drakenstein Berge, 44x59cm. R3000/5000

441

 442. MOORE, HENRY – BRITISH (1898 – 1986), Lithograph – Signed, Artist Proof, Untitled, 19x25cm. R8000/12000

442

 443. PORTCHIE, JOHANNES – SOUTH AFRICAN (20/21ST CENTURY), Oil on Canvas – Signed, Titled on Reverse, Seun met Vlieer Geniet die Mooi Wense, 40x25cm. R8000/12000

443

 444. VASARELY, VICTOR – HUNGARIAN/FRENCH (1906 – 1997), Silkscreen – Signed and Numbered 56/75, Vancouver, 60x60cm. R15000/20000

444
445. PARSONS, MIKE – SOUTH AFRICAN (20/21ST CENTURY), Oil on Board – Signed, Couple in a Restaurant, 58x76cm. R4000/6000

445

 446. PARSONS, MIKE – SOUTH AFRICAN (20/21ST CENTURY), Oil on Board – Signed, Fish Seller, 53x71cm. R4000/6000

446

 447. BADENHORST, FRANCOIS – SOUTH AFRICAN (1934-), Oil on Board – Signed, Dr. E. Finger, 59x88cm. R2000/3000

447

 448. BAKER, KENNETH – SOUTH AFRICAN (1931 – 1995), Oil on Board – Signed, Five Figures, 41x30cm. R7000/9000

448
449. SEKOTO, GERARD – SOUTH AFRICAN (1913 – 1993), Pastel – Signed, Seated Nude, 58x49cm. Provenance: - Strauss & Co. R40000/60000

449

 450. HERRING, JOHN FREDERICK – BRITISH (1795 – 1865), Coloured Engraving – circa 1845, The Start for the Derby, 60x107cm. R8000/12000

450

 451. TURNER, J.M.W. after – BRITISH, Oil on Canvas – Unsigned, Abbey beside a River, 36x46cm. R5000/7000

451

 452. KOCH, FRANCOIS – SOUTH AFRICAN (1944-), Oil on Canvas Board – Signed and Dated ’69, Kudu in Dry River Bed, 45x60cm. R7000/9000

452
453. PORTCHIE, JOHANNES – SOUTH AFRICAN (20/21ST CENTURY), Oil on Canvas – Signed, Titled on Reverse, Die Touspringers Geniet die Mooi Wense, 40x25cm. R8000/12000

453

 454. RAUSCHENBERG, ROBERT – AMERICAN (1925 – 2008), Lithograph, Pass for Two, 70x50cm. R18000/22000

454

 455. MUNRO, PAUL – SOUTH AFRICAN (20/21ST CENTURY), Oil on Board – Signed, Coastal Landscape, Western Cape, 58x88cm. R2500/3500

455

 456. VAN NIEKERK, DANIE – SOUTH AFRICAN (20/21ST CENTURY), Oil on Board – Signed and Dated ’01, Mountainous Landscape, 60x90cm. R1500/2000

456
457. HOBBS, PHILIPPA – SOUTH AFRICAN (1955-), Coloured Etchings – Pair – Signed, Inscribed, Numbered 1/16 and Dated ’94, Somneferum and Cape Erica, 15x13cm each. R700/900

457

 457. HOBBS, PHILIPPA – SOUTH AFRICAN (1955-), Coloured Etchings – Pair – Signed, Inscribed, Numbered 1/16 and Dated ’94, Somneferum and Cape Erica, 15x13cm each. R700/900

457a

 458. HALL, PETER – SOUTH AFRICAN (1958-), Watercolour – Signed, Extensive Landscape, 45x62cm. R1800/2200

458

 459. CLAERHOUT, FRANS MARTIN – SOUTH AFRICAN (1919 – 2006), Oil on Board – Signed, The Bride, 73x49cm. R35000/45000

459
460. BOSCH, CORNELIUS – SOUTH AFRICAN (20TH CENTURY), Oil on Canvas – Signed, Still Life of Flowers, 73x89cm. R6000/8000

460

 461. DONALDSON, KIM – SOUTH AFRICAN (1952-), Watercolour – Signed, Sable Bulls ever Alert, 73x108cm. Provenance:- Everard Read Gallery, Johannesburg R14000/18000

461
       
501. AN EARLY 20TH CENTURY OAK DISPLAY CABINET, the mirrored centre above a rectangular marble top and two frieze drawers and cupboards, flanked by glazed cabinets, enclosing a shelved interior, on plinth base and tapering lobed legs. R4000/6000

501

 502. A VICTORIAN WALNUT BOOKCASE, the moulded outset cornice above a plain frieze and two glazed doors, enclosing a shelved interior, the lower section with rectangular top and rounded corners above two frieze drawers and two panelled cupboard doors, on plinth base. R8000/10000

502

 503. A 19TH CENTURY CONTINENTAL FLAME MAHOGANY SIDE CABINET, the rectangular top with rounded corners above the long frieze drawer and two panelled cupboard doors, on plinth base and bun feet. R3000/4000

503

 504. A GEORGIAN OAK CORNER CABINET, the rectangular outset cornice above the panelled door, enclosing a shelved interior, flanked by canted sides. R2000/3000

504
505. A 19TH CENTURY CONTINENTAL WALNUT BUFFET, the rectangular back with rectangular shelf on turned supports, the rectangular top with rectangular inset marble and moulded edge above two frieze drawers, the two rectangular tiers united by turned and fluted supports, on plinth base and compressed bun feet.

505

 506. A 19TH CENTURY OAK COMMODE, the rectangular marble top with moulded edge and rounded corners above the two frieze drawers and three long drawers, shaped and carved apron, on carved cabriole legs. R3000/4000

506

 507. AN EARLY VICTORIAN OAK CORNER CABINET, the moulded outset cornice above the astragal glazed door, enclosing a shelved interior. R2500/3500

507

 508. A 20TH CENTURY DUTCH WALNUT BOOKCASE, the raised gable top with raised centred carving, above the glazed doors and sides, enclosing a shelved interior, the bombe shaped base with three long graduated drawers, on carved lion paw feet. R7000/9000

508
509. A VICTORIAN MAHOGANY DUCHESS DRESSING TABLE, the shaped rectangular mirror on scroll shaped supports above three short drawers, the serpentine shaped top with moulded edge above the single frieze drawer, on carved cabriole shaped legs, united by a shaped plinth base, on compressed bun feet. R5000/7000

509

 510. A 19TH CENTURY CONTINENTAL WALNUT COMMODE, the rectangular top with rounded corners and moulded edge, above two short and two long drawers, on bun feet. Replaced top. R2500/3500

510

 511. AN EARLY VICTORIAN MAHOGANY CENTRE TABLE, the rectangular crossbanded top with rounded corners and moulded edge, above two frieze drawers and opposing fake drawers, on turned carved and lobed support, the shaped quadripartite base on turned and half-lobed legs and castors. R3000/4000

511

 512. A VICTORIAN FLAME MAHOGANY GENTLEMAN’S CHEST OF DRAWERS, the rectangular top with outset corners above shaped shallow drawer and shaped deep drawer, three long cockbeaded drawers, on shaped plinth base with deep drawer, on compressed bun feet. R6000/8000

512
513. AN EARLY VICTORIAN MAHOGANY SIDE CABINET, the rectangular top above the long frieze drawer and two panelled cupboard doors, on plinth base. R3000/4000

513

 514. A 19TH CENTURY CARVED OAK BOOKCASE, the rectangular outset cornice above the carved frieze and two leadlight glazed and carved doors, enclosing a shelved interior, the lower section with rectangular top and moulded edge above two frieze drawers and carved panelled doors, on plinth base and compressed bun feet. R7000/9000

514

    
517. AN EARLY VICTORIAN MAHOGANY CHIFFONIER, the arched backrail with shelf, on turned supports, the rectangular top above the shaped long frieze drawer and two panelled cupboard doors, flanked by turned pillars, on plinth base. R7000/9000

517

 518. A MODERN TEAK BOOKCASE, the raised galleried pediment above a carved frieze and two glazed doors, enclosing adjustable shelved interior, the lower section with two short drawers, on stepped plinth base and compressed fluted bun feet. R7000/9000

518

 519. ASET OF TWELVECHIPPENDALE STYLE LADDER-BACK DINING CHAIRS, comprising of two carvers and ten side chairs, each with shaped moulded and pierced toprail above the conforming crossbars, the upholstered drop-in seat on square legs, united by “H” shaped stretcher. R10000/15000

519

 520. A VICTORIAN STYLE MAHOGANY EXTENSION DINING TABLE, the rectangular top with rounded corners and moulded edge above a moulded frieze, on turned reeded legs and castors. Two extensions. R8000/12000

520
521. A SET OF SIX WILLIAM IV MAHOGANY DINING CHAIRS, each with curved toprail above the carved and moulded crossbar, the upholstered seat on tapering turned and carved legs. (Distressed) R3000/4000

521

 522. A 19TH CENTURY MAHOGANY EXTENSION DINING TABLE, the oval top with moulded edge above a moulded frieze, on twin trestle bases with scroll shaped feet, on castors. Three extensions. R7000/9000

522

 523. A VICTORIAN WALNUT WRITING TABLE, the shaped rectangular crossbanded top with inset tooled leather writing surface above two frieze drawers, on turned and twisted supports and carved cabriole legs and castors, united by a turned and twisted stretcher. R6000/8000

523

 524. A PAIR OF VICTORIAN WALNUT GRANDFATHER AND MOTHER CHAIRS, each with button-upholstered backrest within a moulded and carved frame, the upholstered seat on tapering turned and fluted legs, on castors. R5000/7000

524
525. A GEORGIAN MAHOGANY TRIPOD TABLE, the circular hinged top with carved edge, on turned support on three cabriole shaped legs. R4000/6000

525

 526. A 1920’S OAK SEWING TABLE, the rectangular hinged top with moulded edge opens to reveal open compartments, above the single frieze drawer, on bobbin turned and block legs, united by a shaped shelf. R800/1200

526

 527. A VICTORIAN ROSEWOOD SIDE CABINET, the serpentine shaped rectangular top with outset corners and moulded edge above the conforming plain frieze and three panelled doors, enclosing a shelved interior, on conforming plinth base. R7000/9000

527

 528. A GEORGIAN MAHOGANY CUT-DOWN TRIPOD TABLE, the circular top with moulded edge on tapering turned support, on three shaped legs. R2000/3000

528
529. A 19TH CENTURY WALNUT SECRETAIRE ABATTANT, the rectangular stepped and outset cornice above the frieze drawer and hinged writing slope, which opens to reveal a felt lined interior, above one dummy and two long drawers, on plinth base and rectangular feet. R3000/5000

529

 530. AN EDWARDIAN MAHOGANY UMBRELLA STAND, the rectangular top with moulded edge and four open stick holders, on chamfered square supports, the rectangular base with inset tin base, on square legs. R1500/2000

530

 531. A PAIR OF MODERN LEATHER UPHOLSTERED LOUNGERS. R4000/6000

531

 532. A VICTORIAN ROSEWOOD WORK BOX, the octagonal hinged top with moulded edge, opens to reveal a fitted interior above the moulded frieze, on four scroll shaped and moulded legs, united by a shaped stretcher, united by a turned cylinder. R3000/4000

532
533. A VICTORIAN WALNUT OCCASIONAL TABLE, the circular top with carved and moulded edge on turned and carved support, on three carved cabriole shaped legs. R3000/5000

533

534

   535. A GERMAN MAHOGANY ART DECO SIDE CABINET, the bow front centre section with raised back and two conforming shelves with twin turned and reeded supports above two frieze drawers and reeded cupboards, the whole flanked by cupboards, each with raised stepped pediment above glazed door and bow-front cupboard doors, on conforming plinth base. R14000/18000

535
536. A 19TH CENTURY WALNUT BUFFET, the rectangular outset cornice above the moulded and carved frieze and two carved panelled doors, panelled backboard with gallery, the rectangular top with moulded edge above two carved frieze drawers and two carved panelled doors, flanked by turned pillars, on plinth base and stile legs. R10000/15000

536

 537. A VICTORIAN MAHOGANY PEMBROKE TABLE, the rectangular hinged top with moulded edge and rounded corners, above the single frieze drawer, on turned legs and castors. R2000/3000

537

 538. AN EARLY 20TH CENTURY BEECHWOOD DININGROOM SUITE, comprising of four dining chairs, two carvers and dining table. R7000/9000

538

 539. AN ART NOUVEAU MAHOGANY LADY’S DESK, the mirrored backrail with short drawer, the rectangular top with inset leather writing surface and moulded edge above two frieze drawers, on shaped cabriole legs. R2500/3500

539
540. A PAIR OF 20TH CENTURY CIRCULAR OCCASIONAL TABLES, each with raised moulded edge above the moulded frieze with applied gilt metal decoration, on tapering faceted support and shaped plinth base with lion paw feet, the whole with gilt metal mounts. R2000/3000

540

 541. AN EARLY VICTORIAN MAHOGANY SIDE CABINET, the rectangular top with three quarter gallery above two frieze drawers, the lower section with rectangular top and moulded edge above moulded and outset frieze and two panelled doors, on moulded bracket feet. Distressed. R2000/3000

541

 542. A 19TH CENTURY GILTWOOD WALL MIRROR, the shaped rectangular mirror with lobed top within a carved and pierced giltwood frame. R2000/3000

542

 543. A 19TH CENTURY MAHOGANY CUPBOARD, the shaped pediment with carving centred above the moulded frieze and mirrored door, the lower section with frieze drawer and shaped apron, on shaped and carved cabriole legs. R4000/6000

543
544. A 19TH CENTURY GILTWOOD WALL MIRROR, the shaped mirror within a carved giltwood frame. R2000/3000

544

 545. A VICTORIAN MAHOGANY SEWING CABINET, the shaped rectangular hinged top opens to reveal a fitted interior, on square legs, united by a shaped shelf. R3000/4000

545

 546. A 19TH CENTURY MAHOGANY MIRRORED CUPBOARD, the shaped and moulded pediment with carved centred above the centred mirror door, flanked by mirrored sides, above two frieze drawers and shaped apron, on carved cabriole legs. R7000/9000

546

 547. AN EARLY 20TH CENTURY OAK PEDESTAL, the rectangular marble top above frieze drawer and cupboard, on tapering reeded legs. R600/800

547
548. A SET OF EIGHT 19TH/20TH CENTURY OAK DINING CHAIRS, each with curved toprail above the padded backrest, the upholstered seat on tapering turned legs and castors, united by “H” shaped stretcher. R3000/4000

548

 549. A MID 20TH CENTURY SECRETAIRE ABATTANT, the rectangular top with rounded corners and gilt metal gallery, above the hinged writing slope, which opens to reveal a fitted interior, flanked by shelves, all with gilt metal galleries, the lower conforming section on tapering square legs, the whole with gilt metal mounts. R4000/6000

549

 550. A PAIR OF 19TH CENTURY OAK OPEN ARMCHAIRS, each with pressed leather backrest with raised carving centred, plain carved armrest, the pressed leather seat on fluted legs and shaped feet, united by similar stretchers. Distressed. R1000/1500

550

 551. A 20TH CENTURY MAHOGANY BOOKCASE, the rectangular outset breakfront cornice above the plain frieze and four astragal glazed doors, the lower conforming section with moulded edge above the centred secretaire drawer, flanked by short drawers, all above four panelled doors, on conforming plinth base. R5000/7000

551
552. A WILLIAM IV ROSEWOOD CENTRE TABLE, the rectangular top with rounded corners above the frieze drawer, on twin turned and lobed supports, shaped plinth bases on carved lion paw feet, united by a turned stretcher. Distressed. R2000/3000

552

 553. AN EDWARDIAN INLAID MAHOGANY DISPLAY CABINET, the raised backrail with mirror centred above the raised shelf, mirror and cupboard, flanked by glazed cupboards, on turned supports and legs. R4000/6000

553

 554. AN EDWARDIAN INLAID BED TRAY, the oval top with raised edge and twin brass handles, on folding tapering square legs. R1000/1500

554

 555. A 19TH CENTURY BOEKENHOUT AND TAMBOTIE PEG TOP TABLE, the rectangular three panel top with moulded edge above the plain frieze with later single drawer, on tapering square tambotie legs. R4000/6000

555

556

  

558

  
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       
       

 

 

 

 


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